NUR
Inspired by the intricate lattice screens of Mughal architecture, Zar Jaal translates the idea of jaali a surface that both reveals and conceals into a contemporary form. Drawing from Mughal floral lattices, the embroidery reinterprets motifs once carved in stone through fine resham threadwork, balancing ornament with restraint. Entirely hand embroidered over 48 hours by two skilled karigars, each piece carries subtle irregularities that honour the human hand, making every creation uniquely its own.
Inspired by hand-drawn illustrations often found in traditional textile prints and architectural ornamentation, Zyra brings together floral forms, birds, and animal motifs within a single frame. The motifs are rendered in monochrome resham embroidery, allowing line and detail to take precedence over colour.
Entirely hand-embroidered by skilled karigars, each piece carries slight variations that reflect the nature of the process and the human hand behind it.
ZYRA
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MEHR
Inspired by traditional decorative motifs, Mehr reinterprets floral and animal forms through zari embroidery. The use of metallic thread lends a regal quality to the surface, elevating the design while maintaining restraint. Entirely hand-embroidered, each piece carries subtle variations that honour the human hand, making every creation uniquely its own.
KNOW THE MATERIAL
Born from what is often discarded, this bioleather begins with tomato peels, stems, and agricultural remnants reclaimed from farms and food industries. Transformed through gentle, eco-conscious processes, the waste is pulped into a fiber-rich base and blended with natural binders and cotton backing free from PU and PVC. Pressed into thin sheets and finished with subtle textures, the material retains its flexibility and strength while remaining biodegradable. A quiet reinvention of waste, shaped into a surface meant to endure.
